A few outstanding items.

More than a few things have happened since last I wrote here. One: I survived Germany. Two: one show has happened, and another is coming. Three: I’ve made some new things. These items are listed in an inverse level of importance, so let’s go from there.

So: hooray! I made things! I’ve also updated my portfolio to reflect this, so check out this link here! Holy exclamation points, Batman! In seriousness: it is rather nice to be able to update with a few items that are fusing my writing with my visual practice, so you know. Nice.

As for shows: The Meeting Waters, my department’s fall show, was pretty exquisite and a good time. Here’s a lovely write-up about it on the MCAD MFA website, in case you’re keen. For those of you in Indianapolis: 5 of my paintings from the Microaggression series are being shown at Electric Light: Fluorescent and Neon in Contemporary Art Practice at the Garfield Park Arts Center. It’s been a lovely experience working with the folks at GPAC to get my work there, and I hope to hear great things from the show even though I can’t come down! The opening will be this Saturday, November 7 from 2:00-4:00 p.m., and although it seems like there isn’t a Facebook event on the item, this page tells you where to go.

Lastly: Germany! Frankly, this write up (again, on the MCAD MFA website) says more, so why repeat myself? Besides, they made everything look so sleek and nice.

We’re at that time of year where I’ll be updating the store and the like very soon, so more as news develops. But until then – well, keep warm. November cometh.

New work!

Why dress up what’s being presented: I’ve uploaded new work in the portfolio, which shows the breadth of discovery I’ve been undergoing this year. I’ll probably have a more thoughtful post on this later, but for now, you can see that I’m going beyond painting and into all sorts of weird twists and turns – sound work, performance, and explorations into alternative narrative. It also explains the little radio that keeps on popping up across platforms; Public Service Confessional is the newest of my works and, perhaps, the most exciting to me even a month after its presentation. I’ll write on it more in-depth later, but the blurb I have on its project page speaks well for itself at present.

Non-sequitur: the Big Cartel shop has been burning up with orders! Thank you to everyone who’s made a purchase to my humble little corner of the Internet thus far, and please feel free to pass along thoughts, delights, pleasures, etc. to your friends, my e-mail box, or wherever you may seem fit. It’s been such a wonderful experience to see what’s beloved and what isn’t thus far, and I hope that everyone’s purchases live up to their wildest dreams and delights. There’s something about selling work that puts a little spring in your step, so thank you very much for putting it there.

Less business and more pleasure next post – I’m thinking that I need to talk talismans again.

New year, new blog.

Hi, everyone! Behold, my Christmas gift to myself: a portfolio facelift and a server move. (I know, I know: my heart’s racing too as I tell you of such scintillating news.) Although the last iteration of my portfolio was very lovely, with a semester of graduate school in the books and it felt like a new look might behoove this new chapter in my life. You know, like getting a haircut after a bad break-up or something, except instead of haircut it’s “new CSS” and we can go ahead and replace “bad break-up” with “wonderful yet challenging whirlwind of transformation after transformation.” (Not to get all uncharacteristically jubilant and starry-eyed about the entire production, but I rather like graduate school. Let that go on the record.)

Sadly, all blog posts from Ye Olde Studio Blog are not here, but I don’t think it’s necessarily for the worst. It’s only been within the past few months that I actually know what I want to talk about here, so it’s a bit of a celebration of clarity that I have this new, cleaner, tidier version of my content for the internet to enjoy. That’s really what this facelift is about: a tighter, denser, more controlled packaging of my practice as I start to pare down my foci. As anyone who has ever walked into my studio or has been in a critique of my work can attest, this is something I need to work on in the new year. Having a new canvas for the opportunity makes it all the easier.

So cheers – here’s to 2015. I’m excited to share it with you in all sorts of ways.